#ACID PRO 7 MAC UPDATE#
#ACID PRO 7 MAC SOFTWARE#
#ACID PRO 7 MAC MAC#

#ACID PRO 7 MAC SOFTWARE#

MAGIX is probably BerlinвЂ™s best-kept music software secret. So who is the new owner? ThatвЂ™ll be MAGIX Software GmbH. (Whether thatвЂ™s a good sign or bad is up to you.) Sound Forge has continued development, and might well have a future вЂ“ this is a tiny niche, to be sure, but without much competition.

#ACID PRO 7 MAC UPDATE#

The last major release was way back in 2008, with the only real maintenance update in 2010 вЂ“ a sad slow-motion death for what was once a great product. Yet itвЂ™s possible to edit entire audiovisual creations in Vegas.)ДЄCID in particular has languished under Sony ownership вЂ“ just when it most needed to compete against breakneck development of Ableton Live, Reason, GarageBand, and even the likes of FL Studio. (I regularly get muddled switching between Logic and Final Cut, for instance. But those editors always seemed to live independently in their own paradigms. And Vegas was always the one video editor that felt musical вЂ“ in the mirror image of ACID, one that lets you take a metric, rhythmic approach to video editing if you so choose.ДЄvid might have bought Pro Tools Apple might make both Logic and Final Cut.

Sound Forge has unusually robust integrated video features. That means that ACID takes a unique approach even in its most recent Sony release when it comes to features like keyframes and automation, one that it has inherited from the video world. I always admired the unique shared lineage of the Sound Forge line in audio and video media. IвЂ™m embarrassed to say most of us didnвЂ™t even hear the news.Д«ut the news is a milestone. Sony announced on the 20th of May that they would sell essentially all of their audio and most of their video tools вЂ“ including flagship editor VEGAS (also a Sound Forge creation) вЂ“ to MAGIX. And that makes Sound Forge one of the few choices if you want an editor that focuses on editing audio files, from mastering to batch processing вЂ“ things that DAWs arenвЂ™t necessarily focused on doing.

#ACID PRO 7 MAC MAC#

Originally Windows-only, Sony brought the software to the Mac just as OS X lost a lot of its own competition in that category. Sound Forge, for its part, remains a favorite dedicated waveform editor.

The evolution of this sort of music software seems a story worth telling.) (Side note: IвЂ™d love to look at this history in more detail вЂ“ and recall someone telling me that Apple even hired away the original creator or one of the original creators of ACID. ACID cleared the way both for Ableton Live and GarageBand. But the 1998 release of ACID (originally awkwardly dubbed ACID pH1) really heralded the arrival of music production workflows built on audio loops. In fact, it was so influential, that itвЂ™d be easy for newcomers to music production to overlook. Big in their dayДЄCID wasnвЂ™t the first loop-based production tool (Propellerhead and ReCycle deserve a lot of credit there), but it was the tool that made time-stretched, loop-based production into what it is today. There are reasons to reflect on ACID and Sound Forge individually. Now, languishing alongside their stablemate, video editor Vegas, theyвЂ™re seeing ownership pass from Sony (via its creative software division) to German software house and holding company MAGIX. Once upon a time, ACID and Sound Forge were each industry-leading software tools, originally developed by Sonic Foundry. ItвЂ™s the end of an era вЂ“ but maybe not such a golden era.

Acid pro 7 mac